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Godspeed! You Black Emperor New Album and US and Australian Tours

Allelujah Dont Bend Ascend - Godspeed You! Black EmperorGodspeed! You Black Emperor have announced their first album in more than 10 years, Allelujah! Don’t Bend! Ascend!, is being released on their own Constellation Records imprint on October 15, and is currently available for pre-order.

Word on the street is, Allelujah! Don’t Bend! Ascend!, will be available for fans at all of the current tour dates which are listed below. Godspeed! You Black Emperor also have just announced their first ever Australian Tour for 2013, dates below.

Check back soon because, Blow The Scene will be on hand to deliver and exclusive photo gallery and review of the band’s Philadelphia performance happening tonight at The Union Transfer.

The band made the following statement in an official press release:

We are proud to announce the first new recordings by Godspeed You! Black Emperor in a decade. Featuring two twenty-minute slabs of epic instrumental rock music and two six-and-a-half minute drones, ‘ALLELUJAH! DON’T BEND! ASCEND! provides soaring, shining proof of the band’s powerful return to form.

Having emerged from hiatus at the end of 2010, GYBE picked up right where they left off, immediately re-capturing the sound and material that had fallen dormant in 2003 and driving it forward with every show of their extensive touring over the last 18 months. The new album presents the fruits of that labour: evolved and definitive versions of two huge compositions previously known to fans as “Albanian” and “Gamelan”, now properly titled as “MLADIC” and “WE DRIFT LIKE WORRIED FIRE” respectively. Accompanied by the new drones (stitched into the album sequence on CD; cut separately on their own 7″ for the LP version), GYBE have offered up a fifth album that we feel is as absolutely vital, virulent, honest and heavy as anything in their discography.

We don’t have much time for mythology, but we’d be lying if we said the return of Godspeed You! Black Emperor in 2010 didn’t signify a whole lot to us as a marker from which to look back on the past decade, to reflect on what’s been gained or lost within the confines of independent music culture and what’s been gained or lost in the socio-political landscape writ large. Godspeed’s music will do that to you. It is music that bears witness to, channels and transforms this predominantly terrible, infuriating, venal and nihilistically sad story we’re all living, sharing, resisting, protesting, deconstructing and trying to change for the better. We think GYBE has once again provided a uniquely moving and compelling soundtrack for these acts of analysis, defiance and ascension.

Hard to believe a full decade has passed since the release of Yanqui U.X.O., the last album by GYBE. Never a band to care for conventional industry wisdom, Yanqui was released shortly before xmas 2003 with little publicity and no press availability, no marketing plans or cross-promotions or brand synergies, with back cover artwork tracing the inextricable links between major music labels and the military-industrial complex. Driven by word-of-mouth from a passionate and committed fanbase galvanized by the group’s sonic vision and its dedication to unmediated, unsullied musical communication, the album found it’s rightful audience.

To suggest that such simple principles and goals have become harder to maintain and enact a decade later is an understatement. For all the contents and discontents – for all the “content” – of our present cultural moment, the idea of circumventing the glare of exposure, the massaging of media cycles and the calculus of identity management appears quaint, if not futile.

But Godspeed is looking to try all the same. The band wants people to care about this new album, without telling people they should or talking about themselves. They want to hold on to some part of that energy that comes with the thrill of anonymous discovery and unmediated transmission, knowing full well that these days, anti-strategy risks being tagged as a strategy, non-marketing framed as its opposite, and deeply held principles they consider fundamental to health as likely to be interpreted as just another form of stealth.

Truly, thanks for being open to hearing it.”

Release date: 15 October 2012 (Europe), 16 October 2012 (rest of world)
Running time: 53:09



Godspeed You! Black Emperor 2012 Tour Dates

10/02 – Philadelphia, PA @ Union Transfer
10/03 – Baltimore, MD @ Rams Head Live
10/04 – Carrboro, NC @ Cats Cradle
10/05 – Atlanta, GA @ Buckhead Theatre
10/06 – Birmingham, AL @ Bottletree
10/07 – New Orleans, LA @ Tipitinas
10/09 – Austin, TX @ The Mohawk
10/10 – Austin, TX @ The Mohawk
10/11 – Dallas, TX @ Granada Theatre
10/12 – Nashville, TN @ Cannery Ballroom
10/13 – Louisville, KY @ Headlines Music Hall
10/14 – Detroit, MI @ Majestic Theatre
10/28 – Porto, PT @ Amplifest
10/30 – Madrid, ES @ Teatro Kapital
10/31 – Barcelona, ES @ Sala Apolo
11/01 – Bordeaux, FR @ Le Rocher de Palmer
11/02 – Nantes, FR @ Lieu Unique – Soy Festival
11/03 – Lille, FR @ La Condition Publique
11/04 – London, UK @ Kentish Town Forum
11/05 – London, UK @ Kentish Town Forum
11/07 – Brussels, BE @ Cirque Royal
11/08 – Berlin, DE @ SO36
11/09 – Berlin, DE @ SO36
11/10 – Dresden, DE @ Reithalle
11/11 – Prague, CZ @ Lucerna Music
11/12 – Vienna, AT @ Arena
11/14 – Ljubljana, SL @ Kino Siska
11/15 – Zurich, CH @ Rote Fabrik
11/16 – Bern, CH @ Dachstock Reitschule
02/13 – Brisbane, AU @ The Tivoli Theatre
02/14 – Sydney, AU @ The Enmore
02/15 – Melbourne, AU @ Forum Melbourne
02/16 – Alton, AU @ ATP’s I’ll Be Your Mirror

Godspeed You! Black Emperor Australia Tour 2013

Wednesday 13 February – Tivoli, Brisbane
Thursday 14 February – Enmore Theatre, Sydney
Friday 15 February – Forum Theatre, Melbourne
Godspeed! You Black Emperor Announce First Album in a Decade

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